


 
Top singles include Enrique Igelsias's "Don't Turn Off the Lights" and "Escape," The Flaming Lips' "Flight Test," Squarepusher's "Iambic 9 Poetry," and the Notwist's "Consequence."




Here's an article from Graphic Design USA on 15 trends in corporate i.d. design. Looks like I managed to miss them all in the i.d. that I did recently (below). The one on the left is by Cato Purnell Partners for Neil Henson Fashion Bytes.


    


Aretha's got a new album out. NPR profiled her this morning. She's without a doubt one of my favorite singers. On a trip to Washington D.C. a few years ago, I had the good fortune to hear her live. The concert was somewhat short, but honestly, I wish it had gone on forever. She's thinking of scaling back the number of concerts she's giving each. But in her sixties, she has no plans to retire. The queen of soul indeed.
An expert mountaineer, Mallory led three British expeditions to Mount Everest in the 1920s. On the third, in 1924, Mallory and climbing partner Andrew Irvine made an attempt at the summit but disappeared in heavy weather, never to return. It seemed certain they had perished on the mountain, but whether they reached the summit before they died was unknown. (Sir Edmund Hillary became the first man to officially reach the summit in 1953.) A 1999 expedition found Mallory's frozen body 27,000 feet up Everest's north face. The body was remarkably well preserved, but offered no evidence that Mallory had made it to the summit before his death.Info from who2. And as far as Everest is concerned, Into Thin Air is a great account of a disastrous attempt at the summit.
A Lifetime Achievement Award goes to Duke Nukem Forever on the suggestion of reader Jeff White, who wrote, "First proposed in 1801 (or something close to that), Duke Nukem Forever has now come to define the term 'vaporware.' I wouldn't be surprised if dictionaries actually began printing it: 'vaporware: n. See Duke Nukem Forever.'" Reader Fabricio Rosas Tariki had a similar take, suggesting Duke Nukem Forever should be considered hors-concours. "After all," he wrote, "what could possibly compete against a game that is six years in the making, is called by the own company's president 'turtleware,' and has a release date that reads, 'when it's done'?" Reader Kyle Cuzzort said, "I pre-ordered this game a long time ago. So long, in fact, that I'm thinking of getting the receipt framed so it will be ready when I have kids and the game comes out."Courtesy gizmodo.
For me it has to be Five Easy Pieces, which I just saw again having bought the dvd. It's a strange movie, with very disparate parts. It doesn't seem like it should hang together, but somehow it all becomes intricately linked. I won't tell you anything about it, and you shouldn't read anything about it before you see it. I was completely surprised and sideswiped by the film. It's brilliant. And for you 80's fanatics, keep a lookout for Toni Basil's cameo (of "Mickey" fame).
NPR has recently started a new series of concerts recorded at Carnegie Hall's Zankiel Hall. The online preview contains performances by Randy Newman, Emmylou Harris, Steve Earle, Youssou N'Dour, the Kronos Quartet, Bill Frisell and John Adams. You can check it out here. The premiere broadcast features John Adams.
So I got the first set of dvd's I ordered in the mail. The most exciting is a three dvd set sold under The Director's Label, which "hilight the work of filmmakers who have helped re-define music videos and filmmaking over the last decade." I originally bought it for the work of Chris Cunningham (who did the robot video for Bjork's "All is Full of Love" and Squarepusher's "Come on My Selector") but am totally blown away by Michel Gondry's work.
The next best thing is that I finally got to see Spike Jonze's short How they got there. I remember reading about this years ago in the New York Times arts section and wanting to see it, but not knowing where I could find it. It's actually online now as part of the site promoting these dvds. You can find it here.
The Palm Pictures site has information on each of the dvds individually: Michel Gondry, Chris Cunningham, and Spike Jonze.

My fascination with Chinese music hasn't abated. Now I'm stuck listening to Jay Chau, who's apparently notable because he writes his own songs. I've also recently again become interested in Grace Chang, who I was introduced to through Tsai Ming Liang's The Hole. I finally managed to find out her Chinese name thanks to someone who commented on one of my other blogs. Unfortuantely, yesasia doesn't seem to have any of her albums for download so I'll have to head to Chinatown soon.
And on the subject of music, here's a site that will mp3 all of your cds for you.
Lately I've been listening to a lot of Chinese pop music. There's two reasons. One is the fact that on Christmas day I saw A-Mei (the tickets were a gift to my parents), and the other is the news of Anita Mui's death. That said, I don't have that many Anita Mui albums, and since she sings mostly in Cantonese, I can't really get the drift of the lyrics. Though my Mandarin isn't good enough to get all the nuances of the songs A-Mei sings either . . .
When I'm not listening to Chinese music, I seem to be drawn to Manual. They're on the Morr Music label, which Rachel introduced me to while at Hearst. You can read marginally more about them here.
Robert Altman's sketch of Chicago's Joffrey Ballet offers a well-filmed attempt at a portrait of a dance company. The film works best when it offers slices without introduction, when characters drift in and out and things happen to them without comment. The flaws become evident when structure is imposed upon the film in the form of Campbell's character's story, such as it is, which follows a fairly obvious arc. Also among the more unfortunate choices is that of the dances included. While what is there is shot well, the dances aren't always that interesting (especially the "climactic" dance towards which the second half of the film builds). Re-edited, it could have been an interesting fly-on-the wall look at the ins and outs of a ballet company. As it is, it seems to be unwilling to challenge the audience with a series of vignettes, instead offering Campbell as a sympathetic character to follow throughout the proceedings. And that's too bad. For while Macdowell is great, Campbell is not, and Franco is mere windowdressing. Still, I enjoyed it (I'm a sucker for films that give a behind the scenes look at something).
You can read other ideosyncratic reviews here.

